| buy book | THE CONTEMPORARY TEA HOUSE: JAPAN’S TOP ARCHITECTS REDEFINE A TRADITION By Arata Isozaki, Tadao Ando & Terunobu Fujimori. Tokyo: Kodansha. 2007 There can be few building forms more laden with cultural significance than the Japanese Tea House. Indeed, the authors of this publication assert that it is ‘the most important architectural form … perhaps for all contemporary architecture’. For the Western observer, however, the arcane practices of the ‘tea ceremony’, steeped in ritual and historic continuity, may merely head a list of exotic cultural stereotypes that serve to confirm the ‘otherness’ of Japan. This, therefore, is an important publication. Presented as essays written by the architects responsible, it selects 20 contemporary examples to demonstrate the Tea House’s enduring importance. All are exquisite, some extraordinary – such as Terunobu Fujimori’s design balanced 6m high on two tree trunks. The choice of materials is often daring and original – for instance, charcoal and firewood vaulted ceilings – and their detailing exemplary. As might be expected from this publisher, each is lavishly photographed, and the architects recount their design intention accompanied by selections of the original design sketches. In all, this book conveys a very clear picture of these Tea Houses’ physical form. The challenge must be to place the Tea House in context, to move beyond the physical and discover the enduring human values that these buildings are designed to satisfy. This has been attempted before, notably by Heinrich Engel in The Japanese House, 1964. He fashioned a powerful thesis, arguing that the Tea House, and its adoption across a wide spectrum of Japanese society, showed the essential humanising role of architecture to create an environment that protects that defining human characteristic – self-reflection. A fierce polemicist, building on meticulous research, he concluded that the absence of a comparable space within Western architectural tradition demonstrated that ‘while man learned to master the art of building he forgot the art of living’. In this publication one of the architects contributes an introductory essay but treads an uncertain path between historical fact, procedural detail and cultural values. It accordingly lacks the clarity of argument necessary to convincingly step outside the pragmatic and expose the enduring, universal human values that this architectural form nurtures. This book is a valuable and sincere work, but to engage truly with the Tea House’s unique enduring value in modern society the reader may also need to look elsewhere. SIMON PILLING |